I am currently working on a batch of RS-3s and hope to have a batch of BLACK up for sale in the next couple weeks (mid February). The next color in line will be FOLIAGE followed by COYOTE TAN.
Just wanted to take a moment to highlight the color, Foliage. Foliage is the popular name for what might better be termed ‘Gray-Green.’ Originally, I bought a roll of webbing in that color just to try out. I had never thought to use it before, as I tend to stick with the basics that work such as OD green and Coyote Tan. Surprisingly, I liked the new color a lot. It has now been a staple in the colors I offer.
Foliage seems to be very versatile. Case in point, I look at it and see a dull color of green. My wife said that she can’t see green in it at all and thinks it’s gray, until I switched it to a different background, at which time she thought the webbing looked green. The color does appear to depend more on the colors that are around it, which is a great attribute in a color if you don’t want to stand out.
While Coyote Tan or OD Green may be the most versatile solid colors in strictly rural settings, Foliage Green may be the perfect solid color for those who will be in both urban and green rural environments.
(Originally published in my “Art of the Rifle” blog, January 14, 2015)
I’ve written a lot in the past about rifle slings and how to use them to steady a shooting position. I’ve touched on why to use them and why not to use them if a supported position is available. I’ve gone into considerable depth on how to use them. One thing I haven’t really written about is why the shooting sling works.
I like to watch how people use their slings. I frequently see people do things that are ineffective, or less effective than they could be. My response to this has always been to beat the drum of better technique, but I think there is a more fundamental way to approach the problem.
Part of understanding how to use a tool is to comprehend how it functions. It took a long time for me to even consider this with reference to the rifle sling. I first thought of the sling as something to buy, as in which one do I want based on who uses it, how it looks, what it’s made out of, price, etc. Then I thought of the sling as a process. It’s a rather complicated thing for a new shooter, so I spent a long time processing how to use it, improving my technique, re-evaluating different types of slings based on what I’d learned in the process of becoming a skilled shooter and then an instructor. When I felt my knowledge in sling shooting had matured, I designed my own sling, and I thought and worked a lot on how to make it better over time.
To really understand how to employ the sling and what it can and can’t do for you, the primary lesson to learn is visible in its structure and function. Let’s take a look at the sling in use to better understand what exactly it is and what it does.
RifleCraft RS-2 sling, demo model. I made it special with a foliage loop portion and coyote tan rear portion so it would be easier to point out exactly what I’m getting at. This photo, and those that follow, depict the totality of the line of force of the loop sling. From the forend, and wrapping the arm. That’s it.
First of all, we need a precise definition of what it is we’re looking at. I’m not an engineer, so I apologize it you are because I made up my own terminology and definitions. A loop sling is simply a direct, closed, and isolated connection between the arm and the forend of the rifle. Direct means that it goes straight in one line from the arm to the forend. Wrapping the support hand in the sling won’t compromise this attribute, as the hand effectively becomes part of the front connection. Closed means that the length of the connection is fixed and not subject to change without a deliberate user input. Isolated means that there are no other related connections that impart forces in any other direction. Although a connection to a different section of the sling that makes it usable as a carry strap can be, and usually is present at the rear of the loop, it should be slack when the loop is used. Put another way, the loop is a simple, single line of tension from the arm just below the armpit and the rifle in front of the support hand.
The function of the loop is directly related to its structure. What can a line of tension do? Perhaps this is best revealed by examining what holds a rifle up in absence of the loop sling. The greatest degree of oversimplification I can make is to say “bones and muscles” hold the rifle up. Bones are structurally rigid and can’t be removed from the equation unless there is something to set the rifle on or suspend it from. Obviously the loop sling is not capable of replacing the structure that bones provide.
It should be apparent at this point that the tension of the sling takes the place of the muscles between the origin and insertion of the loop. When optimally configured with the support hand wrapped in the sling and front swivel used as a hand stop (as pictured), those muscles include the biceps and all the muscles that control the wrist, hands, and fingers. Muscles, being subject to fatigue and errors of control and coordination, are major contributors to a shooter’s arc of movement. Eliminating their necessity and use whenever possible is the mark of a skilled and efficient rifle shooter.
Limitations of the Sling:
Recognizing what the loop sling does not do is just as important as knowing what it does. The simple loop sling has very little ability in assisting, supplementing, or replacing any muscle outside the length of its span. The little ability is does have in this regard is due to the tension that is imparted toward the interface of the rifle butt in the shoulder. This is why Jeff Cooper was correct in his adamancy that the benefits of the loop sling could only be fully realized with the support elbow planted, whether that be on the ground, a solid object, the knee, or somewhere else. If the support elbow is not planted, many muscles are brought into play in order to keep the elbow raised and the posture of the body in the shooting position. This does not negate the effects of the sling within the length of its span, but it does minimize the significance of those effects to a large degree.
Also, some of the potential benefits of the sling, particularly those involving the muscles governing the hand, are dependent on the use of a handstop when shooting with a loop sling. Without some kind of handstop the support hand will need to grip the forend. The location of the support hand will also be subject to potentially (very likely) greater variability. Consistency is important, so the lack of handstop and the resulting variation in location, coupled with the need for muscular input will likely compromise precision. Target shooters use purpose built handstops. The rest of us use our front sling swivels, so the location of the front swivel is another important component of rifle fit
In the next installment I will examine the influence of individual sling designs on how the sling functions as a marksmanship aid to enhance precision.
To properly understand what makes the RifleCraft slings unique, and why there is a demand for them, one should first understand exactly what a rifle sling is and what it does. To the uninitiated, the rifle sling is a simple strap used to carry a rifle, analogous to a holster for a handgun. This is part of what a sling is designed to accomplish, but perhaps the less significant role. The word ‘sling’ denotes something that is also designed to aid the shooter in the process of actually firing a shot. The vast majority of the straps that are used to carry rifles do not have the capability to function as a proper shooting sling.
At least as far back as the late 19th century, rifle shooters have been using rifle slings to steady their positions in competition and in military training. The sling attaches to the rifle’s forend (the handguard or the front of the stock) in the front, and to the shooter’s arm at the rear.
The rifle sling, when attached to the rifle and the shooter’s arm, effectively acts as a substitute for all the muscles within its span, which include the arm, forearm, and hand muscles. Because the sling is doing the work instead of the muscles, the shooter can relax. This makes the shooting position much steadier, more repeatable, and therefore more accurate and predictable. It is generally accepted by skilled shooters that a shooting sling can improve a shooter’s accuracy by approximately 50%.
The skill of using a shooting sling, once limited mostly to competitors and military trained shooters, is becoming more prevalent among general shooters. Organizations such as the Civilian Marksmanship Program and the Appleseed Project have offered very low cost and widely available instruction in the use of the shooting sling. This has increased market demand for easy to use shooting slings.
Traditionally, rifle slings have required some manipulation to alter their configuration from “carry mode” to “shooting mode”. To carry the rifle using the sling, the sling must be attached to both the front and rear of the rifle. Military slings, which are generally considered to be the standard, require that the sling be detached from the rear of the rifle in order to use it as a shooting aid. This is a slow process, which has relegated the use of the sling as a marksmanship aid to competition use. The reason for this is that in a field setting, such as hunting, opportunities for shots are generally fleeting. Since time is limited in these situations, shooters have not had the luxury of utilizing their slings to steady their shots.
Attempts have been made throughout the years to design a sling that was quick enough to use in a field shooting situation, but for the most part these designs have not succeeded because some alteration of the rifle was necessary for installation. The majority of shooters aren’t willing to drill holes into their rifles. A further deterrent is that shooters don’t want to alter the appearance of their rifles.
The RifleCraft slings are designed in such a way that their appearance is that of a traditional carrying strap as used by the vast majority of shooters. The benefit that they offer is that they also function as a shooting sling without any preparation to transition from “carry mode” to “shooting mode”. It’s possible to be carrying the rifle in one moment, and to assume a shooting position with the sling steadying the shooter without adding any time to the process. In other words, donning the sling as a shooting aid takes no longer than it would take the shooter to get into a shooting position, and can be done concurrently.
RifleCraft Sling Models:
There are three models of RifleCraft slings, the RS-1, RS-2, and RS-3. RS stands for RifleCraft Sling and the model numbers represent their order of introduction to the market.
The RS-1 and RS-2 are designed to be used with traditional rifles, and the RS-3 is designed for modern carbines, such as the AR-15 (currently the most popular production rifle in the United States). All three share the attribute of having the capability to be used as a shooting sling (marksmanship aid) and a carry sling without any reconfiguration of the sling, as would be required by a traditional sling.
The RS-1 is distinguished by being the fastest traditionally mounted shooting sling to don as a shooting aid. This is due to a reinforced section at the base of the shooting loop (near the center of the sling) that keeps the shooting loop open, allowing the arm to be rapidly inserted into it. The base price of the RS-1 is $47.00.
The RS-2 shares the same basic design as the RS-1, but lacks the reinforcement at the base of the shooting loop. The RS-2 fulfills the needs of most shooters without any unnecessary frills, which is why it is dubbed the “Rifleman’s Essential Sling”. This is the sling I typically recommend for most shooters. The base price of the RS-2 is $35.00.
The RS-3 is fundamentally different from the RS-1 and RS-2 in that it allows the user to ‘wear’ the rifle around the body, which enables it to be available for instantaneous shooting from a carry position. The advent of this mode of carry is relatively new, having become popular in the late 1990’s. This style of carry is typically seen with modern rifles such as the AR-15, although it can be utilized with other types of rifles.
The RS-3 has a shooting loop that is identical to the RS-2, while the rear of the sling has two sections, one of which allows for overall length adjustment. The rear portion of the RS-3 has an innovative buckle that enables the shooter to make quick adjustments to the sling length. Tightening the sling brings the rifle securely against the body, allowing the shooter to use his hands for other tasks.
The base price of the RS-3 is $60.00.
Slide Down Loop Keeper
The Slide Down Loop Keeper is a simple piece of sling webbing of the same type that the slings are constructed with, that is used to pull down over the shooter’s arm when the shooter is utilizing the sling as a shooting aid.
The Slide Down Loop keeper is available as an option for all RifleCraft slings for shooters who want it. The selling price of the Slide Down Loop Keeper is $5.00.
Swivel Silencers are sewn pieces of elastic webbing that cover the metal swivels that attach the sling to the rifle. Without the Swivel Silencers, the sling looks like this:
The Swivel Silencers are an optional accessory that not only improve the appearance of the rifle and sling, but make it more comfortable while protecting the metal swivel from accidental damage during field use. The sale price of the Swivel Silencers is $5.00 per pair.